I fiori in primavera non chiedono il permesso di spuntare o di nascere, non avvisano neanche. Solo oggi mi sono accorta della loro esistenza nel mio giardino. I troppi impegni di quest'anno mi hanno impedito di vederli. Sono contenta di averlo fatto oggi, prima che spariscono fino alla prossima primavera!
Ordinary, because I'm an ordinary, simple and common person like many others. Insanity, cause I'm a little bit "insane", in good terms. Sometimes foolish, other peculiar-freakish but well-disposed just like an "elf". LE STORIE DI ORDINARIA FOLLIA DI SALLY Ordinaria, perché sono una persona ordinaria, semplice, comune come tante altre. Follia, perché sono un pò folle, nel senso buono del termine. A volte dissennata, a volte determinata, a volte bizzarra ma benevola come un "folletto".
sabato 10 aprile 2010
I fiori di primavera
I fiori in primavera non chiedono il permesso di spuntare o di nascere, non avvisano neanche. Solo oggi mi sono accorta della loro esistenza nel mio giardino. I troppi impegni di quest'anno mi hanno impedito di vederli. Sono contenta di averlo fatto oggi, prima che spariscono fino alla prossima primavera!
venerdì 9 aprile 2010
DANCING MAN 504 ON THE BROOKLYN BRIDGE
‘Who Dat?’ It’s Dancing Man 504!
by Mary Frost (mfrost@brooklyneagle.net), published online 04-08-2010
The Big Easy Comes Unexpectedly to Brooklyn
By Mary FrostBrooklyn Daily Eagle
BROOKLYN BRIDGE -- Pedestrians and bikers on the Brooklyn Bridge were transported to the Big Easy this past Saturday morning, and it wasn’t just the sultry weather.
As pedestrians gawked, a hundred dancers sporting colorful parasols kicked, bounced and gyrated behind Mardi Gras parade dancer extraordinaire Dancing Man 504, accompanied by the New Orleans-style Jambalaya Brass Band.
Wire-thin and muscular, Dancing Man 504 performed his trademark heel to toe from Brooklyn to Manhattan and then back again. The dancing man’s followers – known as the “Second Line,” in New Orleans parlance -- waved their handkerchiefs and dipped their umbrellas in the traditional manner. A few hardened New York City bikers groused, but others knew a party when they saw one and joined the line.
That spontaneous joy is what it was all about, says James Demaria, producer and director of “’Treme Life,” a film celebrating the traditions and music of the Mardi Gras Indians and New Orleans musicians. Demaria brought Dancing Man 504 to Brooklyn to host the Second Line over the bridge for the final scene in the film.
“The saying in New Orleans is, ‘Step or be stepped on,’” Demaria told the Brooklyn Eagle. “Most of the foot traffic was tourists. They grabbed their cameras and took the photos of a lifetime. And from what I could see, most joined in on the dancing and chanting ‘Who dat?’ or ‘Brooklyn's out of control.’
“When we reached the halfway point, I stopped and closed my eyes for a brief second. It really felt like we were in New Orleans. The spirit was there.”
http://www.brooklyneagle.com/categories/category.php?category_id=27&id=34686
by Mary Frost (mfrost@brooklyneagle.net), published online 04-08-2010
The Big Easy Comes Unexpectedly to Brooklyn
By Mary FrostBrooklyn Daily Eagle
BROOKLYN BRIDGE -- Pedestrians and bikers on the Brooklyn Bridge were transported to the Big Easy this past Saturday morning, and it wasn’t just the sultry weather.
As pedestrians gawked, a hundred dancers sporting colorful parasols kicked, bounced and gyrated behind Mardi Gras parade dancer extraordinaire Dancing Man 504, accompanied by the New Orleans-style Jambalaya Brass Band.
Wire-thin and muscular, Dancing Man 504 performed his trademark heel to toe from Brooklyn to Manhattan and then back again. The dancing man’s followers – known as the “Second Line,” in New Orleans parlance -- waved their handkerchiefs and dipped their umbrellas in the traditional manner. A few hardened New York City bikers groused, but others knew a party when they saw one and joined the line.
That spontaneous joy is what it was all about, says James Demaria, producer and director of “’Treme Life,” a film celebrating the traditions and music of the Mardi Gras Indians and New Orleans musicians. Demaria brought Dancing Man 504 to Brooklyn to host the Second Line over the bridge for the final scene in the film.
“The saying in New Orleans is, ‘Step or be stepped on,’” Demaria told the Brooklyn Eagle. “Most of the foot traffic was tourists. They grabbed their cameras and took the photos of a lifetime. And from what I could see, most joined in on the dancing and chanting ‘Who dat?’ or ‘Brooklyn's out of control.’
“When we reached the halfway point, I stopped and closed my eyes for a brief second. It really felt like we were in New Orleans. The spirit was there.”
http://www.brooklyneagle.com/categories/category.php?category_id=27&id=34686
lunedì 29 marzo 2010
On March 1911.......
On This Day in History: March 26 - First Phone Call To Brooklyn
This ad appeared in the Brooklyn Daily Eagle on March 26, 1911. On May 11, 1877, a group of New York City notables gathered in the Hotel St. Denis in Manhattan. They came to watch Professor Alexander Graham Bell, of Boston, demonstrate a strange new device called the speaking telephone.
http://www.brooklyneagle.com/categories/category.php?category_id=23&id=34397
This ad appeared in the Brooklyn Daily Eagle on March 26, 1911. On May 11, 1877, a group of New York City notables gathered in the Hotel St. Denis in Manhattan. They came to watch Professor Alexander Graham Bell, of Boston, demonstrate a strange new device called the speaking telephone.
http://www.brooklyneagle.com/categories/category.php?category_id=23&id=34397
domenica 28 marzo 2010
SOME OF MY DRAWINGS - 1987 - 2009
venerdì 19 marzo 2010
martedì 9 marzo 2010
domenica 21 febbraio 2010
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